INTRODUCTION
Quite
unexpected discoveries of considerable importance were made
in 2003: fragments of small-scale relief sculpture inscribed
in Old Phrygian at the Palace Complex entrance, a stepped monument
with an aniconic (featureless representation of a deity) stone
stele in the Cappadocia Gate, and excavation of a megaron in
the lower area reveal the extent of Phrygian influence. Equally
unexpected architectural elements seem more local in character.
A short spring season, made possible by the kindness of Representative
Songül Erbay, allowed considerable extension of the resistivity
survey, revealing buildings crowded together before the destruction.
Conservation of the stone glacis at the Cappadocia Gate and
the Palace Complex façade, supervised by Representative
Mehmet Katkat, improved the visual impact of these monuments.
Dramatic evidence for the ferocity of the fire was found at
the Palace Complex where large beams were incorporated into
wall faces and huge wooden columns supported a thatched roof.
Dating this fire is crucial to understanding the historical
setting. Stylistic analysis might favour the mid sixth century,
and thus the identification of Kerkenes with Pteria, but unequivocal
evidence remains elusive. While the Central Anatolian character
of the urban foundation comes increasingly into focus, only
further work will fully expose the cultural complexities and
the extent of Phrygian influence.
At the expedition base the Depot was fenced and a new well drilled.
Further experiments in appropriate village building using traditional
and recycled materials have aroused both local and international
interest.